Is it sacrilege to declare that the best-looking cinématographe set in Paris was shot by a paire of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French fonds – as well as the neoclassical edifices of Mussolini’s Rome – in relax blues and shards of allégé as sharp https://jeuxvido85396.bloggosite.com/39510182/les-principes-de-base-de-créateurs-de-contenu